A Great Many

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Experimental music that has nothing whatever to do with trains, other than the video.
Featuring the swell(ing) sounds of the Mellotron.

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This is a cover of the Frame by Frame song from the cassette Slow Rocket released in 1994 on Burn Base Down records. The original was arranged for bass and stick, I'm using the same bass and preamp I used in '94, but the stick part is now on guitar.

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This was not supposed to be an instrumental, the fellow who was going to sing even sent me a demo of half-finished lyrics and I was very excited to have my first non-instrumental hit (more categories to sweep!). Sadly, after six weeks I had to admit it was not really going to happen.

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This was our first intentional instrumental, this song was never meant to run longer or have words. In fact, it's meant to be an intro of a larger concept piece. The video was a complete afterthought. The working name was 24 Strings, for the song's arrangement.

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This video reviews experiments utilizing multiple bass guitars and evaluates the potential of multi- bass arrangements in non-experimental music. Earlier commercial successes have been limited to two bass parts, our testing in this experiment extends prior research to six simultaneous bass guitars.

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This was our very first rock-n-roll music video. YouTube disabled monetization on the song three times because I was not able to prove I had rights to the song. I offered as evidence the video itself, which is one of the few I can be seen in, actually recording and mixing the song. I was told to get a letter from my record label and file for monetization again. So I disabled all monetization.

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I made this video for an older song to concentrate on figuring out Final Cut Express.

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A Great Many loves bass, that's why I stacked bass on the bass to make room for more bass. 6 basses in total. 6 basses versus 1 guitar, but it's a Rickenbacker 360/12 guitar, so the basses never really stood a chance.