6D33

Six Degrees of 33s

Who wrote, produced, played — the work behind the record.

Credits & Craft7 articles

Who wrote, produced, played — the work behind the record.

  • Every City Had a Wrecking Crew

    Erase the legends, keep only the timestamps and street addresses, and ask each city who played on its 1962–1972 recordings — out fall the Funk Brothers, the Swampers, the Memphis Boys, name for name.

  • Ninety Names on One Song

    The most crowded recordings in the database aren't charity singles — they're Japanese idol-game anthems. A study in how cultures count their crowds.

  • Salieri's Revenge

    Run every teacher-student link in the database to its transitive end and the movie's patron saint of mediocrity has 6,889 musical descendants — but even he is not the biggest classroom in music history.

  • The Credit Shadow

    Ask the ledger for its busiest performers with the fewest albums to their name and you get three species at once — bandmen whose 30,000 recordings are filed under somebody else's marquee, Duke Ellington's entire horn section, and the men who read Harry Potter and the Bible aloud. An investigation into who does the work when the band gets the byline.

  • The Longest Marriages in Music

    Rank every producer-artist relationship in the ledger and the institution of production monogamy turns out to be classical — Walter Legge and his orchestras, decade upon decade — while the volume championship belongs to the one pop marriage that behaved like a classical appointment: George Martin and The Beatles, 2,607 recordings.

  • The Self-Writing Revolution Happened Twice

    A century of writer-versus-performer credits shows the marriage of writing and singing was rare (16%), rose to a 1975 peak (35%), was rolled back by the professional-songwriter interregnum of the MTV decade (24%) — and has now blown past every prior record: 45% of current recordings are performed by one of their own writers.

  • The Songwriting Committee Is a Myth (Mostly)

    The charts say it takes nine writers to make a hit now. The full database says the average song still has 1.7 — and solo writing is at an all-time high. Also: the biggest committees are Weird Al polkas.